{"product_id":"the-tumor-in-the-clay","title":"The Tumor in the Clay","description":"\u003cdiv id=\"comp-kzrjlmzn\" class=\"N8MGzv _v6ohL PO9MfV AWXfZq comp-kzrjlmzn wixui-rich-text\" data-testid=\"richTextElement\"\u003e\n\u003ch3 class=\"font_3 wixui-rich-text__text\" style=\"text-align: center;\"\u003eNick Francis’ \u003cem class=\"wixui-rich-text__text\"\u003eThe Tumor in the Clay\u003c\/em\u003e plunges into surreal depths as a regarded surgeon turns his scalpel on himself in a journey of self-redemption.\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"comp-kzreugoq\" class=\"comp-kzreugoq wixui-vector-image\"\u003e\n\u003cdiv data-testid=\"svgRoot-comp-kzreugoq\" class=\"iL7Pq5 gx51wo\"\u003e\u003csvg preserveaspectratio=\"xMidYMid meet\" data-bbox=\"27.4 38.025 150 123.875\" viewbox=\"27.4 38.025 150 123.875\" height=\"200\" width=\"200\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" data-type=\"color\" role=\"presentation\" aria-hidden=\"true\" aria-label=\"\"\u003e\u003cdefs\u003e\u003c\/defs\u003e\n    \u003cg\u003e\n        \u003c\/g\u003e\u003c\/svg\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"comp-kzreugoq\" class=\"comp-kzreugoq wixui-vector-image\"\u003e\n\u003cdiv data-testid=\"svgRoot-comp-kzreugoq\" class=\"iL7Pq5 gx51wo\"\u003e\u003csvg preserveaspectratio=\"xMidYMid meet\" data-bbox=\"27.4 38.025 150 123.875\" viewbox=\"27.4 38.025 150 123.875\" height=\"200\" width=\"200\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" data-type=\"color\" role=\"presentation\" aria-hidden=\"true\" aria-label=\"\"\u003e\u003cg\u003e\n    \u003c\/g\u003e\n\u003c\/svg\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"comp-kzpwse8y\" class=\"QrIus  comp-kzpwse8y\"\u003e\n\u003cdiv class=\"comp-kzpwse8y\"\u003e\n\u003cdiv style=\"--wix-color-29: var(--wix-color-3); 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--ricos-custom-h6-font-size: 16px; --ricos-custom-h6-font-family: josefin-sans-v2,sans-serif; --ricos-custom-h6-color: rgb(54, 54, 54); --ricos-custom-quote-line-height: 1.5; --ricos-custom-quote-font-size: 16px; --ricos-custom-quote-font-family: brandon-grot-w01-light,sans-serif; --ricos-custom-quote-color: rgb(54, 54, 54); --ricos-custom-code-block-line-height: 1.5; --ricos-breakout-normal-padding-start: 0; --ricos-breakout-normal-padding-end: 0; --ricos-breakout-full-width-padding-start: 0; --ricos-breakout-full-width-padding-end: 0;\" data-id=\"content-viewer\"\u003e\n\u003cdiv class=\"_9bS1K\"\u003e\n\u003cdiv class=\"_2QXJZ\"\u003e\n\u003cp class=\"dSoN4 _6cuve _7wrCx SISpo\" dir=\"auto\" id=\"viewer-xemy91101\"\u003e\u003cspan class=\"-buxx _7wrCx\"\u003e\u003cspan style=\"color: rgba(0,0,0,var(--o42jjq,1)); text-decoration: inherit;\"\u003e\u003cspan\u003e“\u003c\/span\u003e\u003c\/span\u003e\u003cem style=\"font-style: italic;\"\u003e\u003cspan style=\"color: rgba(0,0,0,var(--o42jjq,1)); text-decoration: inherit;\"\u003e\u003cspan\u003eThe Tumor in the Clay\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"color: rgba(0,0,0,var(--o42jjq,1)); text-decoration: inherit;\"\u003e\u003cspan\u003e is an astonishingly immersive experience. My heartbeat quickened, my palms grew damp, and I could not stop turning the pages. I forgot every distraction of the real world and found myself completely drawn into the story.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"dSoN4 _6cuve _7wrCx SISpo\" dir=\"auto\" id=\"viewer-2cl051105\"\u003e\u003cspan class=\"-buxx _7wrCx\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"dSoN4 _6cuve _7wrCx SISpo\" dir=\"auto\" id=\"viewer-v29n21106\"\u003e\u003cspan class=\"-buxx _7wrCx\"\u003e\u003cspan style=\"color: rgba(0,0,0,var(--o42jjq,1)); text-decoration: inherit;\"\u003e\u003cspan\u003eThe narrative begins with the figure of an elderly surgeon, sunk in quiet despair. The depiction is exquisitely detailed, yet what makes this work truly exceptional is that it relies in no way on dialogue or explanation. There are no words—only a sequence of images unfolding before the reader. In this work, the 'panels' are not merely a technique for conveying the story efficiently within a limited number of pages. Rather, they function as a mechanism that allows the reader to physically experience the agonizing passage of time itself. The reader is no mere observer but becomes a character compelled to live within the story. Breathing, tension, sweat trickling down—and even pain itself—are all conveyed with unmistakable clarity. This bold approach, which entrusts interpretation to the reader, is built upon a profound faith in comics as an art form.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"dSoN4 _6cuve _7wrCx SISpo\" dir=\"auto\" id=\"viewer-322wp1108\"\u003e\u003cspan class=\"-buxx _7wrCx\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"dSoN4 _6cuve _7wrCx SISpo\" dir=\"auto\" id=\"viewer-nchi31109\"\u003e\u003cspan class=\"-buxx _7wrCx\"\u003e\u003cspan style=\"color: rgba(0,0,0,var(--o42jjq,1)); text-decoration: inherit;\"\u003e\u003cspan\u003eThe fact that this is a debut work makes it all the more astonishing. Nick Francis is an artist one shouldn't take their eyes off in the years to come.”\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"-buxx\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dSoN4 _6cuve HrJC2 SISpo\" dir=\"auto\" id=\"viewer-vi3gr1112\"\u003e\u003cspan class=\"-buxx\"\u003e\u003cspan style=\"color: rgba(0,0,0,var(--o42jjq,1)); text-decoration: inherit;\"\u003e\u003cspan\u003e— Shinichi Sakamoto,\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dSoN4 _6cuve HrJC2 SISpo\" dir=\"auto\" id=\"viewer-pqc4c1114\"\u003e\u003cspan class=\"-buxx\"\u003e\u003cspan style=\"color: rgba(0,0,0,var(--o42jjq,1)); text-decoration: inherit;\"\u003e\u003cspan\u003eauthor of \u003c\/span\u003e\u003c\/span\u003e\u003cem style=\"font-style: italic;\"\u003e\u003cspan style=\"color: rgba(0,0,0,var(--o42jjq,1)); text-decoration: inherit;\"\u003e\u003cspan\u003eThe Climber \u0026amp; Innocence\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dSoN4 _6cuve HrJC2 SISpo\" dir=\"auto\" id=\"viewer-zgp2p1117\"\u003e\u003cspan class=\"-buxx\"\u003e\u003cem style=\"font-style: italic;\"\u003e\u003cspan style=\"color: rgba(0,0,0,var(--o42jjq,1)); text-decoration: inherit;\"\u003e\u003cspan\u003e(Translation by Akira Deng)\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Driftwood Press","offers":[{"title":"Default Title","offer_id":49116110553273,"sku":"9781949065442","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/6983\/4539\/files\/BGJM-Cover-Copy_tif.png?v=1789093443","url":"https:\/\/shop.crowsnest.quest\/products\/the-tumor-in-the-clay","provider":"Crow's Nest Comics","version":"1.0","type":"link"}